Home circle.
Here is a summary of our home circle.
Home circle held 8th November 2016.
A séance is often sat with dedication by experienced members who can remain objective if any activity should occur. This is important because once a séance is in progress it can be difficult to stop the proceedings mid-way should anyone become startled or shocked by the experience.
This séance began with hardly anything to report or with any specific, verified observations to note. There were light taps, noises that seemed to emanate from the objects which had been put out on to the table but with no distinction to follow this up, such as specific occurrence of a noise after it had been asked for it was not classified as evidence. A little later into the evening the medium was able to give distinct messages from spirit individuals to members of the séance. It was as this was in process that noises could be heard again and this time there was evidence to report. The noises that could be heard followed a Q and A type of pattern, in such as, in reply to spoken of individuals and within the messages from spirits there were evidential and unexplained sounds.
Later in the séance Orbs were seen and these were unexplained lights in the room. The medium referred to a male spirit, someone who had known singing, acting and a loving of theatre from his teens. Information was given as for someone thought to be a Rock Hudson (born Roy Harold Scherer, Jr.; November 17, 1925 – October 2, 1985) an American actor. Known for his turns as a leading man in the 1950s and 1960s and viewed as a prominent actor and ‘heartthrob’ of the Hollywood Golden Age, the spirit in the séance talked of his love for an appropriate colleague in a film role, because when people could laugh and work alongside each other one’s heart could lift. He achieved stardom with roles in films such as Magnificent Obsession (1954), All That Heaven Allows (1955) and Giant (1956) and was involved in successful strings of romantic comedies co-starring Doris Day in Pillow Talk (1959), Lover Come Back (1961) and Send Me No Flowers (1964). After appearing in films like Seconds (1966), Tobruk (1967) and Ice Station Zebra (1968) in the late 1960s, Hudson began a second career in television through the 1970s and ’80s, starring in the popular mystery series McMillan & Wife and he was in the soap opera Dynasty. The spirit talked about how he felt young in his life and that acting was a way of keeping you involved with people, society and it gave you a journey that could be filled with laughter.
In the séance laughter seemed important for the spirit. The medium referred to another male spirit but this time emphasis was on a piano and artistry. The spirit was keen to be depicted with his ability to use his heart in what he did. Passion was a useful means to put paint to canvas and to allow others to see your visual outlook on the landscape of life. It is thought Henri-Émile-Benoît Matisse (31 December 1869 – 3 November 1954) is the spirit who was referred to, a French artist, known for both his use of colour and his fluid and original draughtsmanship. In life he was able to vividly depict events by colours. He was a draughtsman, a printmaker and sculptor but is primarily thought of as a painter. A spirit who referenced a child like energy, he seemed to want to talk of an anniversary in the séance.
There was an intriguing minute in the séance when a dialogue was started between medium, members and a particular spirit. There was indication of a coolness, a sense of expectation and then visually all were able to note an outline of what appeared to be a person standing in the room. None of the members were standing and all were seated in specific positions in the séance. The apparition or outline that was noted could not be explained by means of anything else inside or outside of the séance.
It was that towards the end of the séance another note worthy visual experience was encountered. A face was seen looking in on the room. Members saw a young looking face watching the séance. It was only a visual experience that was noted for a few seconds. Explanations for how it could have occurred were not able to plausibly justify what was seen or why it had been noted in the way that members saw it.
In the messages were examples of specific spirits and their life work. Thoughts on particular events made for interesting research. Both gentlemen had anniversaries in the same month but in different years. Laughter and child like senses of life seemed important for both. Any activity noted in a séance can be a means for investigation but it has to be thoroughly explored before it can be classed as unexplained evidence. In the séance there were several interesting minutes where evidence was noted, messages were given and validated. The coinciding of both did seem to suggest that something intriguing had occurred.