Here is a summary of our home circle.
Home circle held 20th October 2020.
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A physical seance, specifically is keen to note and investigate any claims of unexplained and overt activity. This kind of activity can include unexplained visual, auditory and sensory experiences.
In a closed and prepared room, experienced members and medium collated. Everybody sat facing each other and all the objects which had been laid out on a centrally positioned table.
The MEDIUM closed her eyes, to begin with a series of in-depth descriptions, about several spirits. This part of the seance included identity reference and messages directed to sitters.
As a message was being given from a younger individual in spirit, detailing that they were interacting with objects, SIMULTANEOUSLY an unexplained sound from above the selected items, coincided with the verbal statement.
ORBS were noted next to sitters as messages were given. The Orbs were unexplained blue, round lights that were seen in the seance room and only for a few seconds each.
The medium referred to a lady in spirit that she could see. Someone thought, from the information given, to be a Sarah Bernhardt (born Henriette-Rosine Bernard; 22 or 23 October 1844 – 26 March 1923) a French stage actress who starred in some of the most popular French plays of the late 19th and early 20th centuries, including La Dame Aux Camelias which is by Alexandre Dumas, fils; Ruy Blas by Victor Hugo; Fédora and La Tosca by Victorien Sardou; and L’Aiglon by Edmond Rostand. Notably she also played male roles, including Shakespeare’s Hamlet. Praised for her preforming ability, skilful acting gestures and her voice, she made several theatrical tours around the world, and was one of the first prominent actresses to make sound recordings and to act in motion picture. In the seance, the lady in spirit spoke about a sense of fun and family, both of which she stipulated as important. Climbing high in one’s chosen profession was significant, the lady explained, but she was keen to talk about recognising the beauty in arts and literature. This type of beauty needed to have an appreciation, she said, as it teaches and has taught so much about life. An anniversary was noted for this same lady.
A SUMMARY of the physical seance was made by the members. Importantly for the purposes of the investigation and the seance, recipient sitters could fully validate the messages that had been given to them. This was seen as significant by them because they felt that facts within the messages had been relevant for them and the conversational tone had been a recognisable trait feature of their particular relatives or friends.