Home circle.

Here is a summary of our home circle.

Home circle held 17th March 2020.

Hi and Welcome to the latest blog!

The physical séance is focused on overt and either visible, audible or sensory evidence of unexplained experience. The activity is required to be unexplained in terms of objective causes from the surrounding environment, internal or external room motivators and there should be collective validated experience of any claims, in order for it to be specified as evidence gained from the physical séance.

NOISES were distinctly and collectively heard by the physical séance. These were popping and tapping sounds that came from nearby to a table that had been laid out with objects at the start of the séance. Both the table and the objects were visible all the way through the investigation and there was no justifiable, objective reason as for why or how the noises had been heard from either inside or outside of the room where the séance had been held. In spirit, several individuals had been referred to, and had provided what had been acknowledged as insightful messages, for the recipient sitters. The same spirits had been talking at the time of the noises that had been heard.

Once again, as spirits were leaving and saying a goodbye to the same individuals that they had been in conservation with and giving messages for, unexplained physical NOISES were heard from taps on the side wall and then a few seconds later on the ceiling.

The medium reported both observational and informational explanations of what she could identify. A gentleman in spirit was described in detail by the medium, then came a name of uncertainty but similar to that of Callas, subsequently she depicted both a ballerina and the link for someone believed to be a Margaret Evelyn de Arias DBE, born Margaret Evelyn Hookham, known by the stage name Margot Fonteyn, (18 May 1919 – 21 February 1991) an English ballerina. She spent her entire career as a dancer with the Royal Ballet (formerly the Sadler’s Wells Theatre Company), before being appointed prima ballerina assoluta of the company by Queen Elizabeth II. The lady spoke of passion and drive, both of which she called out, as necessary to attain almost anything in life. Performance was significant for her and her graceful movements were described for the séance by the medium, as she danced in front of the room. She kissed everybody in parting and once again her actions were reported by the medium. The name of Callas which had been spoken of earlier, is thought to be associated to that of Roberto Arias who Margot Fonteyn DBE had married in 1955, the Panamanian politician, international lawyer, diplomat and journalist. Her marriage was of course significant for her and memorably in the same year Margot appeared in a live colour production of The Sleeping Beauty aired on NBC. Robert Helpmann (9 April 1909 – 28 September 1986) an Australian ballet dancer, actor, director and choreographer, the partner in dance of Margot de Arias DBE is believed to be the gentleman described at the start of the medium’s visual reference.


It was important for the purpose of both the investigations and everybody involved for any and all messages to be validated by the recipients. How this was achieved, was by queries and in-depth explanations from the sitters, about what was relevant and why it mattered to them personally. The significance of the details and timing of the messages had an important meaning individually, for each of the recipients, and could then be accepted as evidence.